Cécile McLorin Salvant was born and raised in Miami, Florida of a French mother and a Haitian father. She started classical piano studies at 5, and began singing in the Miami Choral Society at 8. In 2007, Cécile moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. It was in Aix-en-Provence, with reedist and teacher Jean-François Bonnel, that she started learning about jazz, and sang with her first band. In 2009, after a series of concerts in Paris, she recorded her first album “Cécile”, with Jean-François Bonnel’s Paris Quintet. A year later, she won the Thelonious Monk competition in Washington D.C.
Over the years, she has developed a curiosity for the history of American music, and the connections between jazz, vaudeville, blues, and folk music. Cécile carefully chooses her repertoire, oftentimes unearthing rarely recorded, forgotten songs, with strong stories.She enjoys popularity in Europe and in the United States, performing in clubs, concert halls, and festivals. In 2014, her second album, WomanChild, was nominated for a Grammy.
Her third album, For One To Love, won the Grammy Award for Best Jazz Vocal Album. Her fourth album, Dreams and Daggers, was nominated for the 60th Grammy Award for Best Jazz Vocal Album.
Paquito D’Rivera defies categorization. The winner of fourteen Grammy Awards, he is celebrated both for his artistry in Latin jazz and his achievements as a classical composer.
Born in Havana, Cuba, he performed at age 10 with the National Theater Orchestra, studied at the Havana Conservatory of Music and, at 17, became a featured soloist with the Cuban National Symphony. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe, won several Grammy nominations (1979, 1980) and a Grammy (1979).
His numerous recordings include more than 30 solo albums. In 1988, he was a founding member of the United Nation Orchestra, a 15-piece ensemble organized by Dizzy Gillespie to showcase the fusion of Latin and Caribbean influences with jazz. D’Rivera continues to appear as guest conductor. A Grammy was awarded the United Nation Orchestra in 1991, the same year D’Rivera received a Lifetime Achievement Award from Carnegie Hall for his contributions to Latin music. Additionally, D’Rivera’s highly acclaimed ensembles- the Chamber Jazz Ensemble, the Paquito D’Rivera Big Band, and the Paquito D’Rivera Quintet are in great demand world wide.
While Mr. D’Rivera’s discography reflects a dedication and enthusiasm for Jazz, Bebop and Latin music, his contributions to classical music are impressive. In his passion to bring Latin repertoire to greater prominence, Mr. D’Rivera has successfully created, championed and promoted all types of classical compositions, including his three chamber compositions recorded live in concert with distinguished cellist Yo-Yo Ma in September 2003. The chamber work “Merengue,” from that live concert at Zankel Hall, was released by Sony Records and garnered Paquito his 7th Grammy as Best Instrumental Composition 2004.
In addition to his extraordinary performing career as an instrumentalist, Mr. D’Rivera has rapidly gained a reputation as an accomplished composer and is the author of two books, My Sax Life and a novel, Oh, La Habana. The National Endowment for the Arts website affirms “he has become the consummate multinational ambassador, creating and promoting a cross-culture of music that moves effortlessly among jazz, Latin, and Mozart.”
Honored by The National Endowment for the Arts as a 2010 Jazz Master, Kenny Barron has an unmatched ability to mesmerize audiences with his elegant playing, sensitive melodies and infectious rhythms. The Los Angeles Times named him “one of the top jazz pianists in the world” and Jazz Weekly calls him “The most lyrical piano player of our time.”
At age 19, he moved from Philadelphia to New York City and freelanced with Roy Haynes, Lee Morgan and James Moody, after the tenor saxophonist heard him play at the Five Spot. Upon Moody’s recommendation Dizzy Gillespie hired Barron in 1962 without even hearing him play a note. It was in Dizzy’s band where Kenny developed an appreciation for Latin and Caribbean rhythms. After five years with Dizzy, Barron played with Freddie Hubbard, Stanley Turrentine, Milt Jackson, and Buddy Rich. The early seventies found Kenny working with Yusef Lateef who Kenny credits as a key influence in his art for improvisation. Encouraged by Lateef, to pursue a college education, Barron balanced touring with studies and earned his B.A. in Music from Empire State College, By 1973, Kenny joined the faculty at Rutgers University as professor of music. He held this tenure until 2000, mentoring many of today’s young talents including David Sanchez, Terence Blanchard and Regina Bell. In 1974 Kenny recorded his first album as a leader, entitled “Sunset To Dawn.” This was to be the first in over 40 recordings (and still counting!) as a leader.
Throughout the 80’s Barron collaborated with the great tenor saxophonist Stan Getz, touring with his quartet and recording several legendary albums including “Anniversary”, “Serenity” and the Grammy nominated “People Time” Also during the 80’s, he co-founded the quartet “Sphere,”
along with Buster Williams, Ben Riley and Charlie Rouse. This band focused on the music of Thelonious Monk and original compositions inspired by him.
Barron consistently wins the jazz critics and readers polls, including Downbeat, Jazz Times and Jazziz magazines. The famed Spanish ceramist Lladro honored Mr. Barron with a Lifetime Achievement Award in 2012 and he was awarded an Honorary Doctorate from his alma mater SUNY Empire State in 2013 and from Berklee College of Music in 2011. In 2009 he received the Living Legacy Award from Mid-Atlantic Arts Foundation and was inducted into the American Jazz Hall of Fame and won a MAC Lifetime Achievement Award in 2005. He is a six-time recipient of Best Pianist by the Jazz Journalists Association.
Whether he is playing solo, trio or quintet, Kenny Barron is recognized the world over as a master of performance and composition.
Fifty-five years after he moved to the United States from Kingston, Jamaica, pianist Monty Alexander is an American classic, touring the world relentlessly with various projects, delighting a global audience drawn to his vibrant personality and soulful message. His spirited conception is one informed by the timeless verities: endless melody-making, effervescent grooves, sophisticated voicings, a romantic spirit, and a consistent predisposition, as Alexander accurately states, “to build up the heat and kick up a storm.” In the course of any given performance, Alexander applies those aesthetics to repertoire spanning a broad range of jazz and Jamaican musical expression—the American songbook and the blues, gospel and bebop, calypso and reggae. In the process, he has performed and recorded with artists from every corner of the musical universe and entertainment world: Frank Sinatra, Tony Bennett, Ray Brown, Dizzy Gillespie, Sonny Rollins, Clark Terry, Quincy Jones, Ernest Ranglin, Barbara Hendricks, Bobby McFerrin, Sly Dunbar, and Robbie Shakespeare, among others. Like his “eternal inspiration,” Erroll Garner, Alexander—cited as the fifth greatest jazz pianist ever in The Fifty Greatest Jazz Piano Players of All Time—gives the hardcore-jazz-obsessed much to dig into while also communicating the message to the squarest “civilian.” To date Alexander has recorded over 70 albums as a leader. Among his many honors is the title of Commander in the Order of Distinction, awarded to him by the government of Jamaica, for outstanding services to Jamaica as a worldwide music ambassador.
GRAMMY winner Kurt Elling is among the world’s foremost jazz vocalists. He won the DownBeat Critics Poll for fourteen consecutive years and was named “Male Singer of the Year” by the Jazz Journalists Association on eight occasions. An international jazz award winner, he has also been GRAMMY nominated a dozen times.
Elling’s rich baritone spans four octaves and features both astonishing technical mastery and emotional depth. His repertoire includes original compositions and modern interpretations of standards, all of which are springboards for inspired improvisation, scatting, spoken word and poetry. The New York Times declared, “Elling is the standout male vocalist of our time.” The Washington Post added, “Since the mid-1990s, no singer in jazz has been as daring, dynamic or interesting as Kurt Elling. With his soaring vocal flights, his edgy lyrics and sense of being on a musical mission, he has come to embody the creative spirit in jazz.” Elling was the Artist-in-Residence for the Singapore and Monterey Jazz Festivals. He has also written multi-disciplinary works for The Steppenwolf Theatre and the City of Chicago. The Obama Administration’s first state dinner featured Elling in a command performance. Elling is a renowned artist of vocalese – the writing and performing of words over recorded improvised jazz solos. Said Robert Pinsky, former Poet Laureate of the United States, “In Kurt Elling’s art, the voice of jazz gives a new spiritual presence to the ancient, sweet and powerful bond between poetry and music.”
Jazz trumpeter and composer Randy Brecker has helped shape the sound of jazz, R&B and rock for more than four decades. His trumpet and flugelhorn performances have graced hundreds of albums by a wide range of artists from James Taylor, Bruce Springsteen and Parliament/Funkadelic to Frank Sinatra, Steely Dan, Jaco Pastorius and Frank Zappa.
Randy’s musical talent was nurtured from an early age. He moved to New York where he landed gigs with such prominent bands as Clark Terry’s Big Bad Band, the Duke Pearson Big Band and the Thad Jones Mel Lewis Jazz Orchestra. In 1967, Randy ventured into jazz-rock with the band Blood, Sweat and Tears. He recorded his first solo album, ‘Score’, in 1968, featuring a young, then unknown 19 year-old tenor saxophonist named Michael Brecker. Randy joined Art Blakey’s Jazz Messengers before teaming up with brother Michael, Barry Rogers, Billy Cobham, and John Abercrombie to form the seminal fusion group ‘Dreams’.
In the early 1970s, Randy performed live with many prominent artists including Larry Coryell’s Eleventh House, Stevie Wonder and Billy Cobham. He also recorded several classic albums with his brother under the leadership of the great pianist/composer Hal Galper. By 1975, Randy and Michael were ready to front their own group, the Brecker Brothers Band. A band of immeasurable impact and influence, they released six albums on Arista and garnered seven Grammy nominations between 1975 and 1981. Their eponymous first record, which Randy wrote, arranged and produced, featured his now classic composition “Some Skunk Funk.”
Randy won his first Grammy as a solo artist for ‘Into the Sun’, featuring his impressions of Brazil, in 1997. ’34th n’ Lex,’ won him his third Grammy for ‘Best Contemporary Jazz Album’ in 2003; In 2007, Randy was awarded his fourth Grammy for “Randy Brecker Live with the WDR Big Band; and ‘Randy in Brazil,’ recorded in Sao Paulo, was chosen one of the top 10 CDs of 2008 by AllAboutJazz.com and earned him Grammy #5.
A Brecker Brothers Band Reunion tour of European festivals in the summer of 2013 re-introduced the familiar faces of Brecker Brothers Band members from the past and their special brand of music to sell-out crowds.
As a composer, performer and in-demand Yamaha clinician, Randy Brecker continues to influence and inspire young musicians around the world.
Joey DeFrancesco’s emergence in the 1980s marked the onset of a musical renaissance in organ jazz with the sound of his vintage Hammond organ and Leslie tone cabinet. Considered a child prodigy, Joey inherited from his father and grandfather the gift of the musician’s musician: being able to pick up a new instrument and teach himself to play. This manifests itself in Joey’s extraordinary keyboard skills; piano playing; and organ wizardry – not to mention his undeniable mastery of the trumpet.
Joey’s desire to play the trumpet began after touring with the great Miles Davis. Years later, it would be Joey who would be complimenting his own jazz organ performances with exciting bursts of trumpet tones in the notably influenced style of his former employer. The list of established musicians who felt inspired to perform with Joey grew. At twenty-two, Joey was called upon by guitarist, John McLaughlin to form the group, ‘Free Spirits’ which included band member Dennis Chambers. This band toured extensively for four years as the sphere of Joey’s influence went global. Joey soon became a household name in the jazz world as he began to tour internationally with his own quartet and eventually trim his group to a trio that boasted the guitar work of Paul Bollenback and drumming of Byron ‘Wookie’ Landrum. This trio would become the longest running organ trio in modern times.
Joey is a three time Grammy Nominee: In 2004 for his record ‘Falling In Love Again’, in 2010 for his release titled ‘Never Can Say Goodbye’, and, again, in 2015 for “Enjoy the View”. He is the winner of Down Beat Magazine’s Critic’s poll 2002-2008, 2012, 2014,2015 as well as the magazines Reader’s Poll every year since 2005. In 2014 he was inducted into the inaugural Hammond Organ Hall of Fame.
Musical director of The Jazz Cruise and a three-time Grammy® nominee, mainstream jazz pianist Shelly Berg brings a wealth of knowledge and unrivaled talent to our program. Entering the Cleveland Institute of Music at age 6, Shelly has since amassed accolades and performance credentials that only the best of the best can boast. His CD, Blackbird, soared to No. 1 in U.S. jazz radio and garnered “Record of the Year” and “Artist of the Year” nominations from Jazzweek. He has performed and recorded in collaboration with jazz legends including Ray Brown, Louie Bellson, Eddie Daniels, Peter Erskine, Branford Marsalis, Gregg Field, Chuck Berghofer, Dave Grusin, Woody Herman, Arturo Sandoval, Clark Terry and Bill Watrous. Other musical endeavors have teamed him up with Gloria Estefan, Patti Austin, Bobby McFerrin, Kurt Elling, Michael Feinstein, Renée Fleming, Gregory Porter, Aretha Franklin, Tierney Sutton, Janelle Monáe, Queen Latifa, Lorraine Feather, Monica Mancini, Rita Moreno, Ricky Martin, Kevin Spacey, Dionne Warwick, Carmen Bradford and many more. Previously the McCoy/Sample Professor of Jazz Studies at the USC Thornton School of Music, Shelly is currently Dean of the Phillip and Patricia Frost School of Music at the University of Miami.
The Jazz Cruise is excited feature bassist John Clayton, a composer, arranger and conductor who learned his trade starting at age 16 from the great Ray Brown, in its 2016 lineup. With a Grammy® and eight additional nominations under his belt, John cites arranging the ‘Star Spangled Banner” for Whitney Houston’s performance at Super Bowl 1990, playing bass on Paul McCartney’s CD “Kisses On The Bottom,” and arranging and playing bass with Yo-Yo Ma and Friends on “Songs of Joy and Peace” among the most notable moments of his career. Over the years, John’s mentors and influencers have included Robert Farnon, Count Basie, Johnny Mandel, Henry Mancini and Quincy Jones. Early in his profession, he toured with the Monty Alexander Trio and the Count Basie Orchestra. Later, he held the principal bass chair in the Amsterdam Philharmonic Orchestra for more than five years and had a run as artistic director of jazz for the Los Angeles Philharmonic from 1998 to 2001. Over the course of his career, John has collaborated with Milt Jackson, Nancy Wilson, Ray Brown, Regina Carter, McCoy Tyner, Carmen McRae, Quincy Jones, Diana Krall, Kurt Elling, Dee Dee Bridgewater, Gladys Knight, Natalie Cole, Michael Bublé and many others. With brother Jeff Clayton on reeds, he’s graced many stages as part of The Clayton Brothers Quintet. He’s also an integral part – and co-founder – of the Clayton-Hamilton Jazz Orchestra. Eager to share his talent, John frequently participates in jazz workshops and music clinics around the world.
Guitar and vocal virtuoso John Pizzarelli has been breathing new life into the Great American Songbook since the age of 6. The GRAMMY®-nominated vocalist will captivate guests of The Jazz Cruise ‘16 with his cool, suave spin on the songs of Richard Rodgers, George Gershwin, Nat King Cole, his musical inspiration, Frank Sinatra and even the Beatles. Performing solo and as bandleader of his eponymous quartet, John’s astounding list of credentials includes appearances on the “Tonight Show with Jay Leno,” “The Late Show with David Letterman,” “Live With Regis & Kelly,” the Jerry Lewis Labor Day Telethon and the Macy’s Thanksgiving Day Parade; special guest on recordings for major artists such as James Taylor, Natalie Cole, Kristin Chenoweth, Rosemary Clooney and Buddy DeFranco; and recipient of the 2009 Ella Fitzgerald Award from the Montreal International Jazz Festival.
Ann Hampton Callaway is one of the leading champions of the great American Songbook, having made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. A born entertainer, her unique singing style blends jazz and traditional pop, making her a mainstay in concert halls, theaters and jazz clubs as well as in the recording studio, on television, and in film. She is best known for Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. Callaway is a Platinum Award winning writer whose songs are featured on seven of Barbra Streisand’s recent CD’s. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Lovland and Barbara Carroll to name a few.
Callaway’s live performances showcase her warmth, spontaneous wit and passionate delivery of standards, jazz classics and originals. She is one of America’s most gifted improvisers, taking words and phrases from her audiencesand creating songs on the spot, whether alone at a piano or with a symphony orchestra. Ann has been a special guest performer with Wynton Marsalis and the Lincoln Center Jazz Orchestra, with Keith Lockhart and the Boston Pops at Symphony Hall and Tanglewood and is featured at many of the Carnegie Hall tributes. Ann resides in New York. She lives by the creed best expressed in the Andre Gide quote: “Art is the collaboration between God and the artist and the less the artist does, the better.”
For Grammy nominated artist Regina Carter, the violin isn’t simply an improvisational vehicle; it’s a passport to unexpected realms. Her quest for beauty combined with her passion for excellence did not escape the attention of the MacArthur Foundation, which awarded Regina their prestigious MacArthur fellowship ‘genius grant’. San Francisco Performances also took note of Regina’s exceptional work and appointed her Artist-in-Residence for five years. She also served as one of the Resident Artistic Directors for the discerning SFJAZZ during its inaugural season in its spectacular new home. Most recently, the acclaimed violinist was awarded a Doris Duke Artist Award, and in 2018 was appointed as the Director of the New Jersey Performing Arts Center’s All-Female Jazz Residency, a unique summer immersion program for aspiring women jazz professionals.
Her albums reflect that singular quest for beauty – in 1995, Regina released her self-titled solo debut on Atlantic Records. She released three more albums in rapid succession after her debut ‘” Something for Grace (1997), Rhythms of the Heart (1999) and Motor City Moments (2000). Traveling to Genoa, Italy and making history being the first jazz musician and African American to play the Guarneri Del Gesu violin inspired her next effort, Paganini: After a Dream in 2003. I’ll Be Seeing You: A Sentimental Journey (2006) became a powerful and heartfelt tribute to her late mother. The connection to family, history, and tradition continued into Reverse Thread (2010) and Southern Comfort (2014), drawing ties between her own African heritage and her family’s history. Ella: Accentuate the Positive (2017), celebrates the music and spirit of her inspiration: musical legend Ella Fitzgerald.
The Jazz Cruise is privileged to have one of the top trombonists of his generation, Wycliffe Gordon, return for an encore performance as our Gospel Show host. Both an accomplished soloist and leader of his eponymous quartet, Wycliffe tours the globe performing for audiences of every caliber, from elementary school students to heads of state. In 2014, for the third year in a row, he received Downbeat Magazine’s Critics Poll “Best in Trombone” award. Wycliffe also has been recognized eight times – most recently in 2013 – by the Jazz Journalists Association as “Trombonist of the Year.” A veteran member of the Wynton Marsalis Septet and Lincoln Center Jazz Orchestra, the musician has 16 solo CDs and seven co-leader CDs under his belt. Adept at the tuba, trumpet and soprano trombone plus an accomplished composer and arranger, Wycliffe currently serves as artist-in-residence at Georgia Regents University where he is developing a jazz studies program, teaches courses and works with music majors.
Drummer Jeff Hamilton has been honing his big band skills since the tender age of 8, earning him a presence on the stage with legends like Ella Fitzgerald, the Count Basie Orchestra, Rosemary Clooney, Monty Alexander and Diana Krall. Currently performing with Oscar Peterson, Ray Brown and the Clayton Brothers or co-leading the Clayton/Hamilton Jazz Orchestra (the Grammy®-nominated big band that provides backup for Diana Krall), this in-demand drummer brings his eponymous trio to The Jazz Cruise ‘16 for guests to revel in his sensational stylistics at the helm of a drum. Overflowing but well-deserved accolades include that of No. 1 jazz drummer in Modern Drummer Magazine’s reader’s poll, 2006 Musician of the Year (along with musical partner John Clayton) by the Los Angeles Jazz Society, and a No. 5 spot on the Gavin national jazz radio chart for “It’s Hamilton Time” by the Jeff Hamilton Trio. Featured in nearly 200 recordings – including 16 Grammy® Award-winning titles – with the likes of Natalie Cole, Barbara Streisand, Mel Torme and Herb Ellis, Jeff also teaches, arranges and composes for the drums.
Playing his first professional gig in elementary school, Ken Peplowski has spent his life – along with many a wedding and high school Polka band engagement – mastering the clarinet. With just a year of college under his belt, he joined the Tommy Dorsey Orchestra under the direction of Buddy Morrow. In 1980, he moved to New York City and, shortly thereafter, was hired by Benny Goodman to play tenor saxophone in his new band. Considering himself an interpreter of material who thrives on putting his own spin on music of various genres, Ken was inducted into The Jazz Cruise Hall of Fame in 2013 and returns for an encore performance on The Jazz Cruise 2016. With a diverse repertoire of Italian folk songs, avant-garde jazz, pop and classical music, the jazz clarinetist and tenor saxophonist has recorded approximately 50 CDs as a soloist and nearly 400 as a sideman. He’s collaborated with the likes of Mel Torme, Leon Redbone, Charlie Byrd, Peggy Lee, George Shearing, Madonna, Hank Jones, Dave Frishberg, Rosemary Clooney, Tom Harrell, James Moody, Cedar Walton, Houston Person, Steve Allen, Bill Charlap, Woody Allen, Marianne Faithfull, Isaac Delgado and Erich Kunzel.
Warren Wolf is a multi-instrumentalist from Baltimore, MD. From the age of three, Warren has been trained on the vibraphone, marimba, drums, and piano. He attended the Peabody Preparatory for eight years studying classical music with former Baltimore Symphony Orchestra member Leo LePage. During his high school years at the Baltimore School for the Arts, Warren studied with current Baltimore Symphony Orchestra member John Locke. After graduating from Baltimore School for the Arts in June of 1997, Warren headed north and enrolled at the Berklee College of Music in Boston, MA.
During his time at Berklee, Warren studied with Caribbean Jazz Vibraphonist Dave Samuels. After graduating from Berklee in May of 2001, Warren became an active musician on the Boston local scene and was hired in 2003 to become an instructor in the percussion department. Warren is currently the drummer of choice for alto saxophonist Tia Fuller, who tours with internationally renowned pop star Beyoncé. Warren is also a member of the Donal Fox Group and the SFJazz Collective.
Since coming of age in the nurturing environment of a very musical family and a distinguished bloodline of drummers, New Orleans native HERLIN RILEY emerged from that most creative era of all things rhythmic in the late ‘70s and early ‘80s, to enliven the ensembles of such influential and demanding improvisers as pianist Ahmad Jamal and trumpeter Wynton Marsalis through his commanding yet elegant rhythmic presence. His authoritative style of melodic percussion is deeply imbued in the fertile creative soil of the Crescent City, encompassing as it does the entire length and breadth of America’s ongoing musical journey.
Riley’s recent recording New Direction is an engaging, wide-ranging recital that distills a lifetime of experience into a swinging body of new music that defines what a big tent the music of New Orleans has always represented stylistically and spiritually. “It’s like cooking a big pot of gumbo; you may start out with some very humble ingredients, but by the time you’re finished, you have a meal fit for a king. I mean, the essence of jazz music to me is that it is free, but it has form. So our music is modern, and it’s progressive, but we’re trying to engage people as well. … I’ve been playing drums since I was three years old, so while the title New Direction may suggest new bottles, this is surely some well-aged wine.”
Described as “one of the most versatile and imposing musicians of her generation” (Wall Street Journal) Bria Skonberg recently sang the music of Aretha Franklin alongside Michelle Williams of Destiny’s Child, played with U2 at the Apollo, sat in with the Dave Matthews band, was a featured guest with Jon Batiste and performed the Star Spangled Banner at Madison Square Garden for a NY Rangers game. Originally from the small town of Chilliwack, British Columbia and a bandleader since her teens, Bria has performed festivals and stages the world over. In 2016 Bria released her debut LP which won a Canadian JUNO award and made the Top 5 on Billboard jazz charts; her music has over 7 million streams on Spotify. A 6x Downbeat Rising Star, further accolades include the Jazz at Lincoln Center Swing Award, Best Vocal and Best Trumpet from Hot House Jazz Magazine and Outstanding Jazz Artist at the Bistro Awards. The “shining hope of hot jazz” (NY Times) has been at the forefront of a revival of classic American music as both a performer and educator, programming concerts and workshops for students of all ages. In 2018 Lincoln Center sought out her leadership for a tribute to the first integrated all female big band, the International Sweethearts of Rhythm, which launched her acclaimed group Sisterhood of Swing. In 2019 she was a featured member of Monterey Jazz Festival on Tour for 26 dates alongside Cecile McLorin Salvant, Christian Sands, Melissa Aldana and Jamison Ross. She tours constantly bringing her own signature sound of fiery trumpet playing and smoky vocals together with storytelling and adventurous concoctions of classic and new.
An 8-time Grammy nominee, Tierney Sutton has received 7 consecutive nominations for “Best Jazz Vocal Album”- a nomination for every project she has released for the last decade. In 2013 she released After Blue, a jazz-inspired re-imagining of the legacy of Joni Mitchell. The album received wide acclaim and was Sutton’s breakout as a leader without her longtime Band, and features Al Jarreau, Hubert Laws, Peter Erskine, Larry Goldings, Mark Summer, Kevin Axt, Serge Merlaud and The Turtle Island String Quartet.
With a recording and touring history spanning over 20 years and 9 CDs, The Tierney Sutton Band, “TSB” has traveled a rare path. Comprised of Sutton and instrumental virtuosos Kevin Axt, Ray Brinker, Trey Henry and Christian Jacob, the band functions as a true collaborative (and legally incorporated) unit and makes all musical as well as business decisions as partners. In 2011 the TSB received a Grammy nomination for it’s collaborative arranging, the only collaborative team ever to receive that honor.
Their discography is thematic and rich and past TSB projects have addressed: Americana (American Road, 2011) Materialism (Desire, 2009), The Pursuit of Happiness (On The Other Side, 2007), as well as the musical legacies of Bill Evans (Blue in Green, 2001) and Frank Sinatra (Dancing in The Dark, 2003). Along these same lines, TSB released a new recording in Fall 2016, The Sting Variations. In addition to this, Christian Jacob and TSB scored the original music for Clint Eastwood’s feature flim “Sully”, starring Tom Hanks and Laura Linney. The film premieres on September 9, 2016.
Tierney has headlined in recent years at The Hollywood Bowl, Carnegie Hall, The Kennedy Center and Jazz At Lincoln Center. She can also be heard on film and television soundtracks including that of The Academy Award-nominated film “The Cooler” as well as on television commercials (BMW, Green Giant, Yoplait Yogurt, Coke)
When she is off the road, Tierney is in demand as both a producer and vocal educator. She taught for over a decade at USC’s Thornton School of Music and served for 5 years as Vocal Department Head at The Los Angeles College of Music in Pasadena, CA where she created a new curriculum for vocalists of all genres. Tierney has taught and mentored some of music’s finest new generation of singers including Gretchen Parlato and Sara Gazarek.
A select member of jazz’s piano pantheon, Fred Hersch is a pervasively influential creative force who has shaped the music’s course over more than three decades as an improviser, composer, educator, bandleader, collaborator and recording artist. He has been proclaimed “the most arrestingly innovative pianist in jazz over the last decade” by Vanity Fair, “an elegant force of musical invention” by The L.A. Times, and “a living legend” by The New Yorker.
A fourteen-time Grammy nominee, Hersch has regularly garnered jazz’s most prestigious awards and has long set the standard for expressive interpretation and inventive creativity, whether through his exquisite solo performances, as the leader of one of jazz’s era-defining trios, or in eloquent dialogue with his deeply attuned duo partners. His acclaimed 2017 memoir, Good Things Happen Slowly (Crown Archetype Books/Random House), was named one of 2017’s Five Best Memoirs by the Washington Post and The New York Times.
“Rhythm Is My Business” is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists – from the masters of the music to the hottest young players of today – and is equally in demand as a clinician and educator.
World-renowned bassist Ron Carter hired Nash in 1984, and in 1986, saxophonist Branford Marsalis asked Lewis to join his quartet. In 1989 Nash toured with legendary saxophonist Sonny Rollins. From 1990 to 2000, Lewis was a member of the Tommy Flanagan Trio, and is featured on seven CD recordings with the late piano master. During this period, Nash also toured and recorded with both the Carnegie Hall Jazz Band and the Lincoln Center Jazz Orchestra. His impressive discography (over 300 recordings) includes projects with jazz legends Dizzy Gillespie, Oscar Peterson, Benny Carter, Hank Jones and John Lewis, as well as new jazz stars Diana Krall, Joe Lovano and Roy Hargrove. Demonstrating his stylistic diversity, Nash is also featured on recordings by Natalie Cole, Bette Midler, Nancy Wilson, Kenny Rankin, Melissa Manchester and George Michael. Currently, while he continues to perform and record with a wide variety of artists, Nash leads several of his own exciting groups, from duo to septet.
James Morrison is, by anybody’s standard, a virtuoso in the true sense of the word. Besides the trumpet, this multi-instrumentalist also plays piano, all the brass, saxophones, and double bass. At only age sixteen James debuted in the USA with a breathtaking concert at the Monterey Jazz Festival. Following this were performances at the major festivals of Europe including Montreux, Pori and the North Sea, playing with many of the legends of jazz; Dizzy Gillespie, Ray Brown, Quincy Jones, Herbie Hancock, Cab Calloway, Woody Shaw, Red Rodney, George Benson, Ray Charles, B.B. King and Wynton Marsalis to name a few. There were also gigs in the world’s most famous jazz clubs – The Blue Note and Village Vanguard in New York, the New Morning in Paris, The Tokyo Blue Note and Ronnie Scotts in London.
James Morrison’s career thus far has been diverse and perhaps not typical of most jazz musicians. He recorded Jazz Meets the Symphony with The London Symphony Orchestra conducted by Lalo Schifrin, performed concerts at the Royal Albert Hall with the London Philharmonic Orchestra and at the Royal Opera House, Covent Garden for Princess Anne. Royal command performances on two occasions for Her Majesty Queen Elizabeth II and for US Presidents Bush & Clinton at Parliament House in Australia. James has also performed his own ‘Concerto for Euphonium’ with the Tonkünstler Orchestra at the Muskverein in Vienna. In 2000 James composed and performed the opening fanfare for the Olympic Games in Sydney. James spends much time in education, doing master classes and workshops all over the world and presenting the James Morrison Jazz Scholarship at Generations in Jazz.
Multifaceted American jazz pianist and composer Emmet Cohen is one of his generation’s pivotal artistic figures. Downbeat praised the “nimble touch, measured stride and warm harmonic vocabulary” he employs to communicate with other musicians and audiences at what he terms “the deepest level of humanity and individuality.” Cohen, no stranger to The Jazz Cruise, first appeared here in 2011 under the tutelage of his mentor, Shelly Berg. He’ll be featured this year with the dynamic “Emmet Cohen Trio,” comprised of the celebrated young bassist, Russell Hall and rising star drummer Kyle Poole. Cohen has appeared in the Monterey, Newport, North Sea, Bern, and Edinburgh jazz festivals, among others, and at many prestigious music venues, including Rose Hall and the Kennedy Center. Cohen is the Executive Producer of The Masters Legacy Series, an ongoing series of recordings celebrating the intergenerational transfer of knowledge between jazz musicians. The first honors legendary drummer Jimmy Cobb, while Volume 2 features the great bassist, Ron Carter. (Keep an eye out for Volume 3, featuring Benny Golson and Tootie Heath.) A Suzuki piano student at age three, Cohen holds jazz piano degrees from the Manhattan School of Music and the University of Miami. He was finalist in both the American Pianists Association’s Cole Porter Fellowship (2015, 2011) and the Thelonious Monk International Piano Competition (2011). A member of Christian McBride’s new band, Tip City, Cohen has also performed or recorded with Ron Carter, Jimmy Cobb, Kurt Elling, Benny Golson, Billy Hart, Jimmy Heath, Tootie Heath, Brian Lynch, and Herlin Riley.
Though her career has taken her well beyond the jazz circuit, Niki Haris’s roots are here, and The Jazz Cruise ‘16 is delighted to welcome the songstress to its lineup. The daughter of Grammy®-nominated jazz pianist Gene Harris, Niki and her father released two albums and a live CD before his death in 2000. Carrying on his legacy in jazz, she’s released solo albums, toured Europe with her jazz quartet, and starred in the touring production of “Billie & Me,” a celebration of the life of Billie Holiday. In addition to 18 years of recording and touring with Madonna, Niki has lent her voice to projects of Ray Charles, David Sanborn, Patrice Rushen, Michael Sembello, Leann Rimes, Michelle Branch, Santana, Kylie Minogue, Luther Vandross, All Saints, Wilton Felder of the Jazz Crusaders, Stanley Turrentine, the Righteous Brothers, Julian Lennon, Anita Baker, Mick Jagger and Whitney Houston. She’s also been featured in the soundtracks of “Corrina Corrina,” “The Big Green,” “Coyote Ugly” and Disney’s “Anastasia.” Meanwhile, she’s pursued other artistic passions with great success as well, including staging scenes for Sharon Stone in “Basic Instinct,” choreographing for the television series “Melrose Place,” and appeared with in Al Pacino and Robert De Niro in “Heat.”
A mainstay on The Jazz Cruise marque, bassist Tom Kennedy was already playing gigs with jazz greats like Dizzy Gillespie, Sonny Stitt, Barney Kessel, Eddie Harris, Nat Adderly and Stan Kenton by the time he entered his teens. His impressive resumé includes performances and recordings with James Moody, Freddie Hubbard, David Sanborn, Woody Shaw, Dave Weckl, Mike Stern, Diane Schurr, Patti Austin, Michael and Randy Brecker, Joe Sample, Margaret Whiting, Rosemary Clooney, Michael Feinstein and Bobby McFerrin. His skills on the electric and acoustic bass have been featured on over 150 recordings and earned him a spot on the international tour of jazz fusion group Steps Ahead. Over the course of his career, Tom has released four solo albums as well.
Music can only be described with words, but for David Finck, music is a language all its own. “I hear music as a spoken language,” he says. “When I listen, I’m conscious of the breaths that are taken during a phrase; I hear the vocabulary, the inflection, and the syntax. I listen for all of it.” It’s a statement that makes sense given David’s skills as a bassist and the diverse artists he has played and recorded with – among them; Dizzy Gillespie, Aretha Franklin, Sinead O’Connor, Natalie Cole, Rod Stewart, Herbie Hancock, Ivan Lins, Al Jarreau, Tony Bennett, Paquito D’Rivera, George Michael, Rosemary Clooney and Andre Previn, to name just a few. Over the years, David has become one of the most sought-after musicians in Manhattan, equally revered for his work in jazz, popular, Brazilian and classical music. He’s bridged musical diversity through his skills — but even more so through his ability to hear music as language in an almost literal sense. David’s discography lists more than 100 recordings including Platinum and Gold selling records with Rod Stewart, Natalie Cole, and Elton John. More recently, David increased his personal vocabulary, transitioning from his role as a bassist and becoming a producer, arranger and songwriter. Currently living in New York, David’s horizon is limitless. He’s long been recognized as one of New York’s most gifted musicians.
Born in Newcastle, Australia, Nicki Parrott started her musical training at age four with the piano, followed by the flute, and switched to double bass at the age of 15. Nicki studied jazz at the New South Wales Conservatorium of Music. She was the recipient of two awards, a scholarship to Pan Pacific Music Camps at the age of 16, and first place in the 1992 Jazz Action Society’s Annual Song Competition for her composition “Come and Get It,” which is the opening track of Nicki and her sister Lisa’s debut CD, “Awabakal Suite”. She was also nominated for the annual Australian Young Achievers Award by the Arts Council of Australia who granted her the funds to come to New York to study with Rufus Reid in 1994.
In June 2000, Nicki began performing on Monday nights at the Iridium Jazz Club with the legendary guitarist and inventor, Les Paul. As part of the Les Paul Trio, Nicki worked side-by-side with guitar greats from Paul McCartney, Slash, Steve Miller to fellow Aussie, Tommy Emmanuel. Since then she has performed with such notable musicians as Michel Legrand, Joe Wilder, Randy Brecker, Clark Terry, Jose Feliciano, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Patti Labelle & the New York Pops Orchestra, Harry Allen, Marlena Shaw, David Krakauer, Ken Peplowski, Ann Hampton Callaway, Bill Mays, Scott Hamilton, Lillian Boutte, Larry Carlton and Houston Person, just to name a few.
In 2007 and 2008, Nicki received back to back honors for Swing Journal’s Best Jazz Vocal Album (Moon River and Fly Me to The Moon, respectively). In 2010 her album Black Coffee (Venus) received Swing Journal’s Gold Disc award.
While following in the footsteps of his father and grandfather, John Allred has made a pretty big name for himself along the way. The accomplished trombonist was a lead and featured soloist with the legendary Woody Herman’s Young Thundering Herd in the 80s. Today, he continues appearing with the orchestra under the direction of Frank Tiberi. John also has toured with the Harry Connick Jr. Big Band and performed with The Carnegie Hall Jazz Band, Toshiko Akioshi’s Big Band, Vince Giordano’s Nighthawks and the Louis Armstrong Centennial band.
John Fedchock has been a mainstay of the New York jazz scene for decades. The revered bandleader and master of the trombone has been wowing audiences and fellow musicians since his debut with the Woody Herman Orchestra in 1980. Today, his 16-piece John Fedchock New York Big Band and the John Fedchock New York Sextet are staples on the international jazz festival circuit. In his 35-year career, the critically acclaimed trombone soloist has earned a Grammy® nomination, released nearly two dozen recordings, and toured with T.S. Monk, Gerry Mulligan’s Concert Jazz Band, Louie Bellson’s Big Band, the Bob Belden Ensemble, the Manhattan Jazz Orchestra and the Carnegie Hall Jazz Band. Renowned for his dense voicings, thick ensemble writing and unique, swinging lines, John also is a celebrated arranger and composer destined to make a lasting impression on big band music.
With 12 recordings as a leader, more than 200 as a sideman and eight Grammy® awards to his name, baritone saxophonist Gary Smulyan has set the bar high in the world of jazz. Winner of the 2014 DownBeat Readers Poll, the 2009 and 2011 Down Beat Critics Poll, the 2009 and 2010 Jazz Journalist Award, and the 2011 Jazz Times Critics and Readers Polls, Gary played early in his career with Woody Herman’s Young Thundering Herd, the Mel Lewis Jazz Orchestra, the Mingus Big Band and the Smithsonian Jazz Masterworks Orchestra. These days he is a regular member of the Dave Holland Big Band and Octet, The Joe Lovano Nonet, The Vanguard Jazz Orchestra and the Dizzy Gillespie Alumni All Star Big Band. The in-demand musician also has collaborated with the likes of Diana Ross, Ray Charles and B.B. King. Gary is currently an adjunct professor of jazz saxophone at Amherst College, and The Jazz Cruise looks forward to him “schooling” its audiences during the cruise.
Rickey Woodard was born in Nashville, Tennessee, where he played in a family band with his brothers and sisters, playing Blues and R’n’B around the Nashville area. Rickey came up listening to such greats as Coleman Hawkins, Ben Webster, Stan Getz, John Coltrane, Dexter Gordon, Charlie Parker and Sonny Stitt. Rickey’s favorite saxophone players are Hank Mobley and George Coleman. After leaving Nashville, Rickey went to California and joined the Ray Charles Band. After eight great years, Rickey decided to pursue a solo career as both a leader and a sideman. Currently, he performs live frequently leading his own quartet and quintet as well as performing and recording with The Clayton-Hamilton Jazz Orchestra and the Frank Capp Juggernaut Band.
He has performed and recorded with such artists as Ella Fitzgerald, Michael Buble, Diana Krall, Frank Sinatra, The Temptations, Nancy Wilson and many others. Rickey has over 200 original compositions and extensive experience arranging for quartets and quintets. His latest recording, Pineapple Delight, consists of all original compositions arranged for a quintet.
Drummer/percussionist Ernie Adams returns to The Jazz Cruise to woo audiences once again with his brilliant technique and magnetic personality. The Chicago-based artist has played professionally since age 15 and his long list of performance, touring and recording credentials includes collaborations with Ramsey Lewis, Stanley Turrentine, Dizzy Gillespie, Joe Williams, Patricia Barber, Dianne Reeves, James Moody, Rufus Reid, Joe Zawinul, Slide Hampton, Frank Morgan, Arturo Sandoval, Wycliffe Gordon, Clark Terry, Pharoah Sanders, Ahmad Jamal and the Chicago Jazz Philharmonic. Performing on more than 100 recordings along with a host of radio and television jingles, Ernie’s perfect timing, solid groove and masterful technique render him relevant – and highly in-demand – in all musical genres. Devoted to arts education, Ernie currently serves on the faculty at the University of Illinois-Chicago and teaches at Orbert Davis’ Music Alive program, The Jazz Institute of Chicago, Ravinia and the Music Institute of Chicago.
Lauded as one of the top jazz pianists of his generation, Sullivan Fortner is recognized for his virtuosic technique and captivating performances. The winner of three prestigious awards – a Leonore Annenberg Arts Fellowship, the 2015 Cole Porter Fellowship from the American Pianists Association, and the 2016 Lincoln Center Award for Emerging Artists – Sullivan’s music embodies the essence of the blues and jazz as he connects music of all eras and genres through his improvisation.
As a leader, The Sullivan Fortner Trio has performed on many of the world’s most prestigious stages including Jazz at Lincoln Center, Newport Jazz Festival, Monterey Jazz Festival, Discover Jazz Festival, Tri-C Jazz Festival, Jazz Standard, and the Gillmore Keyboard Festival. Fortner has been heard with other leading musicians around the world including Dianne Reeves, Roy Hargrove, Wynton Marsalis, Paul Simon, John Scofield, Cecile McLorin Salvant, Fred Hersch, Sean Jones, DeeDee Bridgewater, Roberta Gambarini, Peter Bernstein, Stefon Harris, Nicholas Peyton, Billy Hart, Dave Liebman, Gary Bartz, Etienne Charles and Christian Scott.
Ted Rosenthal has performed worldwide as soloist, with his trio, and sideman with many jazz greats including Gerry Mulligan, Art Farmer, Phil Woods, James Moody, Bob Brookmeyer and the Vanguard Jazz Orchestra. He has also been a featured soloist with several major American orchestras including the Detroit Symphony. Winner of the 1988 Thelonious Monk International Jazz Piano Competition, Rosenthal has released 15 CDs as a leader. His latest, Rhapsody in Gershwin (2014), reached #1 in jazz album sales at iTunes. It features his arrangement of Rhapsody in Blue for jazz trio. A recipient of three NEA grants, Rosenthal also composes music ranging from jazz tunes to orchestral works and ballet scores, including for Alvin Ailey. Rosenthal is a faculty member at Manhattan School of Music and The Juilliard School and is a published author.
Bassist and composer Martin Wind was born in Flensburg, Germany in 1968 and moved to New York in 1996 to study at New York University (NYU) with a scholarship by the German Academic Exchange Service. Since his move to New York Martin has become a regular at all major jazz clubs and is also in demand as a session player; his credits include movies such as “The Alamo”, “Intolerable Cruelty”, ” Mona Lisa Smiles”, “Fur”, “True Grit” and “The Adventures of Walter Mitty”. In 1996 Martin Wind won the first Cognac Hennessy/Blue Note Jazz Search in Germany with his trio Dreikland and got to record an album for Blue Note Records.
In 2000 he was the first Jazz musician to win the Cultural Award of his home state Schleswig-Holstein. Martin has released about 10 albums so far as leader/co-leader including his debut album Gone with the Wind (1993), Tender Waves (1996), Dreiklang (1997), Family (1999), The Soccerball (2002), Salt & Pepper (2007), Get it (2009), Theresia (2010) and MWQuartet – Live at JazzBaltica (DVD).
In 2014 Martin released the album Turn out the Stars – music written or inspired by Bill Evans on his newly founded “What if Music” Record Label. The recording features Martin’s current Quartet consisting of Scott Robinson (tenor sax), Bill Cunliffe (piano) and Joe La Barbera (drums), as well as the Italian “Orchestra Filarmonica Marchigiana.” Paquito D’Rivera called the album “disgustingly beautiful!” Currently Martin is a member of the trios of Bill Mays, Dena DeRose, Bill Cunliffe, Ann Hampton Callaway, Ted Rosenthal, as well as of Matt Wilson’s Quartet “Arts and Crafts”. Since 2013 he has also been touring with Belgian guitarist and jazz legend Philip Catherine, playing material from their duo album New Folks.
Wind has recorded and/or performed with the following artists: Lalo Schifrin, Monty Alexander, Pat Metheny, Clark Terry, Slide Hampton, Toots Thielemans, Buddy DeFranco, Michael Brecker, Randy Brecker, Bucky Pizzarelli, Mike Stern, Johnny Mandel, James Moody, John Scofield, Sting, Ann Hampton Callaway, Michel Legrand, Mulgrew Miller, Ken Peplowski, Anat Cohen, Benny Green, Vanguard Jazz Orchestra and others.
New York drummer Tim Horner is a graduate of the Berklee College of Music in Boston where he studied percussion with Dean Anderson, drums with Keith Copeland and drumming concepts with bassist Miroslav Vitous. In 1980 following his six years in Boston, he moved to New York City where he has since offered his experience, knowledge and skills as one of New York’s most in-demand jazz drummers. He’s traveled extensively in the US, Europe, the Balkans, Asia, North and South America with some of the world’s greatest jazz talents, performing concerts, clubs, recordings, teaching and master classes. Currently he teaches jazz ensembles and jazz drumming at New Jersey City University. Tim is a long time professor of jazz drumset at New Jersey City University in Jersey City, New Jersey. Along with keeping a studio at the university and at his home, Tim has been teaching through “The New York Jazz Workshop.”